Kaos<\/em> tells a modernized story about Greek gods — in English<\/a>.<\/p>\n\n\n\n
However, Netflix’s foray into these gods leaves a lot to be desired.<\/p>\n\n\n\n
People are pretty aware of the existence of Greek gods, with one like Zeus being namedropped years after people moved on from him.<\/p>\n\n\n\n
He leads Kaos<\/em>, and Jeff Goldblum<\/strong> brings him to life.<\/p>\n\n\n\n
But what becomes clear is that, like what happened millennia ago, no one cares about these gods.<\/p>\n\n\n\n
They exist in a weird place of being remotely known but not understood.<\/p>\n\n\n\n
It is the first thing that fails to work for the series. Intended viewers neither know nor care about these gods.<\/p>\n\n\n\n
We don’t know the scope of their powers and how they operate.<\/p>\n\n\n\n
So when we’re sold Zeus, Hera, Hades, Poseidon, Dionysus, and the rest of them, it doesn’t feel interesting.<\/p>\n\n\n\n
Okay, Zeus has lightning. What now?<\/p>\n\n\n\n
What should have been an epic tale of war between gods and humans fizzles out and becomes a schoolyard squabble between a big bully and smaller bullies.<\/p>\n\n\n\n
There really is no limit to what one can do with omnipotent gods.<\/p>\n\n\n\n
You can have them living on a cloud, in a castle of gold, or behind a waterfall. But a villa somewhere in the skies?<\/p>\n\n\n\n
Kaos<\/em> exists in a realm of its own with how unimaginative it is.<\/p>\n\n\n\n
If I had a Netflix budget for a show about Greek gods, the underworld would not look like an abandoned construction site. Is a black-and-white filter really supposed to make the place interesting?<\/p>\n\n\n\n
Why do gods in the underworld look like secretaries who are not paid enough to deal with that bullshit?<\/p>\n\n\n\n
Apart from Medusa, no god is scary since they’re just like people. And maybe she, too, isn’t, but my fear of snakes would not allow me to see past anything.<\/p>\n\n\n\n
“A line appears, the order wanes, the family falls and kaos reigns.”<\/p><\/blockquote><\/figure>\n\n\n\n
From the promotional materials to the prophecy repeated in the show, it teases chaos that never materializes.<\/p>\n\n\n\n
Everything seems to hurtle toward that end, even with a narrator who keeps the viewer abreast with one thing or another.<\/p>\n\n\n\n
However, the story stumbles along for eight episodes, and the characters seem to have nothing else to do in the world.<\/p>\n\n\n\n
Take Dionysus, for example. What did he do?<\/p>\n\n\n\n
He rolls from one place to another without a clear goal in mind. This is bad for a TV show. It leads to an overcrowding problem<\/a> and with very uninteresting characters to boot.<\/p>\n\n\n\n
Ironically, Nabhaan Rizwan<\/a><\/strong>‘s portrayal of the character is the most entertaining thing about the show.<\/p>\n\n\n\n
All without direction, humor, and chaos.<\/p>\n\n\n\n
Okay, But How Gay Is ‘Kaos’?<\/h2>\n\n\n\n
Nabhaan Rizwan in Kaos Season 1. [Photo Credit: Netflix]<\/figcaption><\/figure>\n\n\n\n It’s unsurprising that with how underbaked most of it feels, Kaos<\/em>‘ gayness is meh!<\/p>\n\n\n\n
Despite featuring various queer and achillean characters, it focuses on being uninteresting that the characters are too.<\/p>\n\n\n\n
It would seem that most of the gods, if not all, are queer.<\/p>\n\n\n\n
Some humans are, too, and occasionally, a ship comes along.<\/p>\n\n\n\n
The show features a transmasc lead, and his arc is the most interesting in the show.<\/p>\n\n\n\n
Misia Butler<\/strong> plays Caeneus, an Amazonian who transitions but later dies and is stuck in the underworld.<\/p>\n\n\n\n
When Riddy arrives, an attraction develops, and they begin a relationship.<\/p>\n\n\n\n
Caeneus feels vital to the whole thing, and Butler’s portrayal makes him fascinating to watch.<\/p>\n\n\n\n
Verdict<\/h2>\n\n\n\n
Kaos<\/em> is not well thought out. From the story to the characters and the hook, it epitomizes what not to do with stories about gods.<\/p>\n\n\n\n
Rating<\/h2>\n\n\n\n
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